Steve Marriott – Live At Dingwalls (1994) RE-POST

This is Steve Marriott’s Packet Of  Three caught live in concert at the London club Dingwalls in 1984. The  show is a good mix of  The Small Faces, Humble Pie and cover tunes. Steve and the band do a nice bluesy take on Creedence Clearwater Revival’s “Bad Moon Rising” too.Veteran  journeyman  Jim Leverton on bass, vocals was a real asset to Marriott as a bandmate /  friend during the lean years. Very enjoyable concert.- GR

1. What'cha Gonna Do About It

  2. Fool For A Pretty Face

  3. Shame On You

  4. Bad Moon Rising

  5. The Cockney Rhyme

  6. All Shook Up

  7. The Fixer

  8. All Or Nothing

  9. Five Long Years

  10. Thirty Days In The Hole

  11. I Don't Need No Doctor

  12. Big Train Stop At Memphis

  13. Walkin' The Dog

Limited Edition Gold Disc

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Note: RE-POST  21 May 2013 ,Archive controlled.With recovery records3%
Tested with dBpoweramp Music Converter's Test Conversion!
Downloaded by myself after upload as test and no problems occured!
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Thanks galaxy rover
==>Steve Marriott - Live At Dingwalls (1998 )<==

Steve Marriott – Steve Marriott’s Scrubbers (1996 ) RE-POST

The Scrubbers Sessions (rec. 1974 – 1975, rel. 1996)

This 20-track release is a kind of Holy Grail for Marriott fans. Cut at his home studio with a bunch of friends (“the Scrubbers”), it’s raw, heart-felt, and creative, showing all the potential that failed to surface on the post-Frampton Pie records. Ridley and competent blues pianist Tim Hinkley played a large part – Ridley’s vocal on “Send Me Some Loving” is one of his best anywhere – but it’s really a Marriott solo album. His authentic antiquarian interests surface repeatedly, with a hilarious music hall number (“Captain Goatcabin’s Balancing Stallions”), gentle stabs at acoustic country (“Bluegrass Interval”), rockabilly (“You’re A Heartbreaker”) and country-blues (“Hambone”), some stripped-down R & B (Cooke’s “Shake”; Spector’s “Be My Baby”), and several over-the-top attempts to ape old time Delta and Chicago blues (a ground-shaking cover of “Mona”). All of this nicely balances his usual, blustery hard rock, which is crafted and impassioned here (“Street Rats”; drug odes like “High And Happy”). Amazingly, A & M records refused to release the tapes; given to Hinkley, the surfaced only when he finally decided to cash in on them. Guitarist Clempson and singers Fields, King and Brown showed up, but drummer Shirley didn’t and was replaced by Ian Wallace; guests include BJ Cole (pedal steel) and Lindsay Scott (fiddle – Joe Brown is credited, but Scott tells me otherwise), and Wallace’s King Crimson compatriots Mel Collins (sax) and Boz Burrell (bass). - W & A Record Reviews

==>Steve Marriott – Steve Marriott’s Scrubbers (1996)<==

TY ERIC

Peter Frampton - Frampton Comes Alive! (1976)

[The 1999 reissue in A&M's "Remastered Classics" (31454-0930-2]

Peter Frampton - Frampton Comes Alive! (1976) (Remastered)

by Bruce Eder

At the time of its release, Frampton Comes Alive! was an anomaly, a multi-million-selling (mid-priced) double LP by an artist who had previously never burned up the charts with his long-players in any spectacular way. The biggest-selling live album of all time, it made Peter Frampton a household word and generated a monster hit single in "Show Me the Way." And the reason why is easy to hear: the Herd/Humble Pie graduate packed one hell of a punch on-stage -- where he was obviously the most comfortable -- and, in fact, the live versions of "Show Me the Way," "Do You Feel Like I Do," "Something's Happening," "Shine On," and other album rock staples are much more inspired, confident, and hard-hitting than the studio versions. [The 1999 reissue in A&M's "Remastered Classics" (31454-0930-2) series is a considerable improvement over the original double CD or double LP in terms of sound -- the highs are significantly more lustrous, the guitars crunch and soar, and the bottom end really thunders, and so you get a genuine sense of the power of Frampton's live set, at least the heavier parts of his set, rather than the compressed and flat sonic profile of the old double-disc version. Frampton and the band sound significantly closer as well, even on the softer songs such as "Wind of Change," and the disc is impressive listening even a quarter century later. Of course, one must take this all with a grain of salt as a concert document -- as was later revealed, there was considerable studio doctoring of the raw live tapes, a phenomenon that set the stage for such unofficial hybrid works asBruce Springsteen's Live/1975-85 and countless others.]

100% LOG EAC,CUE,SCANS, ETC....

==>Here<== 

Humble Pie – King Biscuit Flower Hour Presents Humble Pie In Concert '73 (1995)

Recorded on May 6, 1973 at San Francisco's Winterland Theater.

5.0 out of 5 stars One of the best rock albums of all time
By Smitty on December 18, 1998
Amazon comment
Humble Pie was one the greatest live rock bands ever. They rocked in the now forgotten tradition of the Who and Mountain- loud, brash, and in your face. On studio recordings, the Pie never seemed to capture the essence of the band. Live, Humble Pie was a different story. They rocked with a ferocity rivaled only by the mighty Zeppelin. This record, a concert recorded on the King Biscuit Flower Hour radio show,

Humble Pie - Natural Born Boogie [BBC sesions 1969 -73]

A showcase for former Small Faces' frontman Steve Marriott and one-time Herd guitar virtuoso Peter Frampton, the hard rock outfit Humble Pie formed in Essex, England in 1969. Also featuring ex-Spooky Tooth bassist Greg Ridley along with drummer Jerry Shirley, the fledgling group spent the first several months of its existence locked away in Marriott's Essex cottage, maintaining a relentless practice schedule. Signed to the Immediate label, Humble Pie soon issued their debut single "Natural Born Boogie," » Read more

by Hal Horowitz

For collectors only. Humble Pie's disappointing entry into the generally classy BBC series clocks in at an anemic 36 minutes and features slapdash, often incorrect track documentation (at least three tunes are credited to the wrong songwriters) as well as below par mono sound, which seems to be transferred from vinyl. Nine of the ten tunes are studio reproductions of existing album cuts and add little to the original versions. The majority were recorded before 1971 and feature Peter Frampton, but none of the performances are revelatory. An alternate version of the rare "The Big Black Dog" single, previously available only on the definitive double anthology Hot N' Nasty, is a worthy addition, but an album-closing live "I Don't Need No Doctor," seemingly recorded by a hand-held